Monday, November 24, 2014

Novel Project LRB #9

"Of Mice and Men"
John Steinbeck



There are many inspirational passages in this book , but one of the best ones is the one where Lennie and George are in cahoots with Candy and on the verge of finally achieving their dream of having a place of their own, a place that they can call home and have all to themselves. The passage I've chosen in the following:

"They fell into a silence. They looked at one another, amazed. This thing they had never really believed in was coming true." (pg. 66)

I think this is one of the most amazing scenes in this entire book, it it just so full of life, hope, and happiness, which was not too common in that time period. I think it was beautiful to begin with that George and Lennie had a dream, but when it comes down to the moment where you are right on the brink of having something you have wanted so long, it is just an overwhelming feeling of pure joy. I love how they are going to be rewarded for their optimism, their amazement is truly wonderful to experience especially because George seemed very doubtful that this dream would ever be achieved in the first place. I have had a similar experience, not so much with a dream of my own ,but an opportunity that I have had before. I was given the opportunity to have a solo for singing at church, which may seem insignificant to some, but I had struggled with being shy about singing in front of people. When I was asked, "Would you like to have a solo this Sunday evening?" I could hardly believe what I had just heard, I stood there like a deer in headlights, not saying a word. I could not begin to express how relieved I was that someone had come to me and asked, fulfilling my desire to share the gift God had given me. Since that moment I gladly accept any time I am asked, and it saddens me that George, Lennie, and Candy are so utterly disappointed because of the outcome of the story, this passage truly fills me with joy, but also strikes a chord in my heart for those who cannot get their dream fulfilled, their deepest desires to become reality. I truly feel what they felt in this moment, but I wish the outcome was different in the end.

Novel Project LRB #6

"Of Mice and Men"
John Steinbeck



In this book, oddly enough, most of the characters themselves operate as a symbol, the two most important ones being Curley's wife and Crooks, a woman and a negro man. Curley's wife, who is not given a name, is symbolic of how women were treated and acknowledged in that time period. She had no power, no one to listen to but men, and not a single soul who was willing to listen to her. She is though of as all the other women of that time, good for nothing but cooking, cleaning, and sleeping with. Now Crooks on the other hand, despite his race, is actually treated better than most negros would at that time. Yes, he sleeps in a barn, yes, he is not allowed to play cards with the other men in the bunk house because he stinks, but he still has it better off. Racism was not completely eradicated during this time, and Crooks is a mild example of how a black male with an injured back would be treated during that time. The main characters, Lennie and George, are representative of a small group of people that were probably hard to find during this time. Friends, companions, two people who were there for each other. Everyone was lonely during the depression one would thing, but these two represent the small amount of people who actually had something, who actually dreamed despite the hardships they were enduring, they had hope. More objective symbols could be the mouse, puppy, bunnies, or more broadly, "soft things." Soft things could vaguely be paralleled with sex, and the fact that Lennie was mentally inhibited made him oblivious to sexual acts, as his mind was like a child's and everything he did was just as a child would do, in innocence. The death of the "soft things" can be interpreted as the way that women are thrown away after their usefulness is expended, not so much in Lennie's case, but the other men of that time period, he is merely a victim to the cruel truth that this symbol represents.

Novel Project LRB #5

"Of Mice and Men"
John Steinbeck



Many books accurately express the traits of the time period in which they are based, but this one is a bit easier to analyze because all of the elements are so prominent. The setting of this book is based right near the beginning of the Great Depression, which started in 1929.The wandering around and looking for a job aspect of Lennie and George's life is based solely on their need to find a job, no matter how far they might have to go. The fact that Lennie stirred up trouble in another town and forced them to move can also be indicative of the heightened emotions due to the stress for money and the poor state of the economy. George and Lennie operate as just two of the men effected by this tragic downturn. The location, California, is important because it had a large amount of people expand its population due to the need for jobs, and most people thought that California was a good choice. Most of the migrants were displaced farmers hoping to find a job there.
The role of women is also expressed quite accurately for the time period in which this story is based, one of the most identifying things from this particular story is the fact that one of the only women mentioned in this book is not even given a name. This shows how insignificant women seemed in that time period, not even worthy to be mentioned by name. There is also the fact that this was a time period in which "cat houses" were often visited by the empty shells of men who are just trying to fill a void in their life that the depression has knocked in them. The women are much more of a victim because they are used as either a trophy or a way to help men "get everything out of their system at once." But in the end all people, both men and women, fall victim to the plague of loneliness that has swept through the nation due to the augmentation effects the depression brought along with it.

Novel Project LRB #4

"Of Mice and Men"
John Steinbeck



This novel started out by introducing the two main characters, Lennie Small and George Milton, two travelers on their way to a new job. George fights with Lennie twice about the mouse and a few or more times about his terrible memory. George then gets serious and he tells Lennie to make sure he comes back to the spot where they presently are at and hide in the brush if anything bad happens, in which it has before. Apparently Lennie attracted the attention of the men in Weed because he "raped" a girl, but all he did is want to feel her dress. He likes to "pet soft things." The fact that this incident is introduced in the beginning gives room for one to foreshadow future events; a place to hide and a history of bad incidents, it seems inevitable to happen again. This exposition acts as the narrative hook by creating curiosity in the reader about what may happen to cause Lennie to retreat to the brush once more.
The rising action is steadily moving upward throughout the entire book, from Lennie getting a puppy, something he should not be able to pet to death, to the reader really believing these two will finally have to place to work for the money that they need to get their farm.The small things pale in comparison when the action skyrockets at the point in which Candy, Lennie, and George figure that they have the money to fulfill Lennie and George's long awaited dream, to have a place of their own, a place that they can call home. The only reason it is really possible is due to Candy's life savings. Nonetheless, the introduction of the fact they will finally achieve that which they desire so much is soon coming, and the rising action seemingly tops off right there, but, as usual, something comes along and disrupts the process.
George, Candy, and Lennie all endured the doubtful remarks about their dream, but until the unthinkable happens, they were convinced that the dream was absolutely theirs for the taking. Lennie did something that is unparalleled by anything he had ever done before, he kills Curley's wife, not out of meanness, but out of fear. She offered to him the opportunity to pet her soft hair, and when things got out of hand, they really got out of hand. This is the pinnacle moment in which the story begins its descent, the moment the dream meets its demise along with Curley's wife. Lenny suffocated the dream just as he did all those mice, just like his puppy, and just like Curley's wife. He can not help it though, he was too dumb to realize.
The falling action can be analyzed as Curley's wife is discovered by the others and Lennie has made a run for his hiding place, the search for the innocent murderer is waged, and what becomes of him is truly a shock to all.
The story is resolved with the death of Lennie, not by Curley's hands, but George's. When he pulls the trigger on Lennie, he also pulls the trigger on his dream, his hope of having a place of his own. His hopelessness returns and he seemingly sinks into the same plagued state that all of his fellow pals are in, the repetition of loneliness and its life-draining ferocity.

Sunday, November 9, 2014

The Kite Runner Discussion Questions 202-379

Chapter 15 -
1. Upon entering Pakistan, the tone becomes more frank. There is a sense of urgency as Amir gets deeper and deeper into Talib territory. Hosseini allows the reader to observe this shift by using simpler sentence structures and by using less detail and being more direct in his explanations or major or minor details.
2. It takes the cake in terms of expressing how much Afghanistan has changed since Amir was last there. Violence is now commonplace and executed in a merciless manner. The Afghanistan the Amir once knew is dead and buried.

Chapter 16 -
Yes. He grew up to be a happy man, not effected (entirely) by his past. He is taller, married, has a son named Sohrab, a newfound (perhaps latent) attitude of self-assuredness. His looks, his temperament, his willingness to serve are still intact despite the horrors he has witnessed. He is still the same old Hassan, just in a bigger body. Hosseini's description of Hassan is significant because it portrays him similarly to how he was described previously in the book in a physical sense, but more developed in the aspect of maturity and character, showing that what had happened to him did not impact the course of his life to the magnitude that it did Amir.

Chapter 17 -
At first it comes as a bitter shock and somewhat expected twist to the story. Amir immediately realizes that he will never be able to tell Hassan that he is sorry for what he had done, to physically be able to truly repent to him in person. His guilt is still there but the person who Amir betrayed in order to obtain the very reason of his guilt is in the ground, leaving Amir with no way to make amends for what he has done.
The pausing between the dialogue of Amir and Rahim make it more realistic in the fact that Amir is having the same reaction that we as the reader are experiencing and the breaks also help in building suspense and eventually leads to shock. The way Hosseini encapsulates what he knows the reader is thinking and puts it in the book is just absolutely amazing, his attention to details and suspense factors is absolutely enthralling.
The fact that Hassan is also Baba's son just shatters Amir entirely. His guilt is immediately amplified by an exponential amount due to the new revelation that he abandoned not only a friend, but his own brother to be raped on his behalf.
Baba had always treated them the same, like there was no ethnic gap between the two. The fact that the subtly context clues are there do not really pop out until the initial revelation, then one can look back and notice how prominent and blatant the hints are. Baba never forgot Hassan's birthday, treated him just the same as he did Amir. Amir never got any special treatment that Hassan did not receive also, in one way or another.
One factor that could possibly explain away any accusations that someone may have toward Baba is that Hassan was a hazara. In that culture hazaras are looked upon as shameful, and by Baba keeping it a secret it protected his good name and Amir from any shaming that may have resulted from the truth. Ali keeping it a secret seems very unlikely since it is almost apparent that he does not even know that Hassan is not his. He, out of any of them, would be the most innocent in the event that someone questioned him about the parentage of Hassan. Rahim Khan, being Baba's closest friend pretty much had no choice but to keep it a secret, he just provided inspiration when Amir was down because of the way Baba acted. The fact that they lied is not in their personality, so it aids in the development of the plot by actin as a device of unspoken salvation that saved them all from shame. The lie is also a perfect explanation of why Baba treated Amir the way he did, and similarly the reason he treated Hassan and Ali the way he did. He felt as if the lie itself was bad, but the destruction that would result from the truth being known was less than that which would be caused by the lie, so when the reader discovers this shocking truth, it is easier to see the rationalization that Baba had to endure to protect himself and the two boys.

Chapter 18 -
By discovering that Hassan is his brother, or as he says "half-brother," possibly trying to preserve his present state of guilt and trying not to feel worse for what he had done. It opens his eyes to the real nature of Baba and his attitude. He realizes that Baba was ashamed, if not guilty himself, and that he was not just a grumpy man who hated him for taking his princess from him. This revelation opens another, much wider door to Amir in terms of how he can be redeemed by finding Hassan's son, his (half) nephew.
Amir discovers that he shares something, one of the most important things, with his father. They both have dome something that brings them a great amount of guilt, and the guild serves as a device and an explanation for the way that they act. Both of these secrets that spring forth with guild are the reason Amir and Baba embark on journey to atone for their sins. Baba sees Amir's weakness while Amir sees Baba's perfection, which causes a bit of tension between the two, when in all reality they are more similar than they are difference because of this.
Amir's decision to go to Kabul is way out of character for the Amir we know up until that point. His reason for going is to save his recently discovered nephew, the son of his brother, Hassan. Amir's decision to put his life in danger in order to save this child shows his yearning for redemption is true and that he really is trying to change.

Chapter 19 -
His dream indicates that he feels responsible for what happened to Hassan, for his murder. It could mean that he feels that he was the cause of how Hassan had turned out along with the responsibility he holds for letting Hassan get raped. He essentially feels guilt not only for what he allowed to happen, but also for his eventual murder.

Chapter 20 -
The tone of the opening of this chapter is grim and reminiscent.
He describes them as something he desires to preserve and care for, but he has no money to do so for long, so he allows the Taliban to purchase one every once and a while. There is also irony with the Taliban because they refuse to support the orphanage and the children but end up doing so by buying children.

Chapter 22 -
He leaves Amir in a room all by himself when he is around the Taliban, shifting in the uncomfortable silence. Two armed men then enter along with the tall Talib in white, Assef. Assef continues to awkwardly sit in silence, just staring at Amir, bloodstains still on his sleeve from the stoning at the soccer field. The men then continue by ripping off his beard, exposing him obviously as a non-Talib citizen. When it is revealed to Amir that the man before him is Assef, it peaks his fear, and he just about urinates on himself and can hardly speak due to his dry tongue.
He is obviously older, but he seems to have gained an elevated status in the eyes of the Taliban and has moved on to having multiple encounters with small children instead of the one time with Hassan, which is completely repulsive to say the least. He is still cruel and conniving. The story signifies the reason he chose to become part of the Taliban? He was part of the upper crust in Kabul, so he was naturally targeted by the communists, so when they beat on him and threw him in jail for no reason, he decided that day that he was still alive for a reason, the reason being it was his destiny, assigned by God, to clean up the garbage that has found its way into Afghanistan.

Chapter 23 -
The dream in Baba's case signified that he was a strong man, a metaphor used throughout the entire novel, so in Amir's case, it signifies his shift from being too afraid and selfish to face what he had done to the fact that he was ready to fight his bear and win. Assef was destined to be messed up by somebody due to the fact he was an all around sick and twisted fool. Amir "got what he deserved" from Assef because he deserved to be beaten to a pulp because of what he did in his past, in encounters with Assef and the incident with Hassan. Rahim intended, it seems, for Amir to rescue Sohrab from Kabul and take him home with him to America. The Caldwells were a device that acted as a credible, if you disregard the fact it was a lie, reason for Amir to go and rescue his nephew. He can be good again by raising his brother's orphan child, making it up to Hassan through Sohrab.

Chapter 24 -
Just when things were starting to settle down on the negative side of the story, the only good news introduced in a while is abruptly interrupted by horribly tragic news. It acts as a climax that sets the tone for the rest of the ending of the novel.

Chapter 25 -
Hosseini uses his word choice and sentence structure to create a sense of suspense and dread by dragging out the revelation of a Sohrab who will survive. The endless tossing and turning and wondering just lengthen the period of time that Amir is experiencing, creating a realistic example of how the perception of time varies especially when someone is waiting to see if someone they love and care for is going to live.
Amir says to the general that he is to never reference Hassan as a hazara in his presence, which means that he has accepted him just like a son of his own and does not think of him as some detestable thing that crawls out of a sewer, but as someone that is family.
He essentially makes Amir go through a beautiful metamorphosis which really began the moment he got into a fight with Assef. Amir essentially becomes Hassan, and it is appropriate because it shows the reader that Amir has finally done it, he has redeemed himself.
Hosseini makes a hateable and selfish character become a admirable and serving man after he has been sharpened by being hit by a hammer (figuratively speaking, physically when considering Assef's damage) causing him to be sharpened into a beautiful sword instead of being a squared and boring ingot. He becomes good by becoming Hassan, who was good from the start, he became who he could always be but never was.

Tuesday, November 4, 2014

LRB #3- The Kite Runner

"The Kite Runner"
Khaled Hosseini



Right from the beginning, Khaled Hosseini institutes the necessary elements to develop the most outstanding theme in his novel "The Kite Runner," which is the search for redemption. Everyone encounters things that will test them, on either an ethical or personal level involving their character. Amir has reason right from the beginning of the story to search for redemption, but he is blinded by his ignorance as a result of his age and lack of experience, mind you, I would never make excuses for him. From the smaller things such as dangling his superiority over Hassan, to standing idly by while Hassan gets raped to keep a kite that will elevate Amir's status in his fathers eyes are examples of the lesser and greater decisions that Amir makes that determine the difficulty of him redeeming himself. In a sort of cliche way, he digs himself a pretty deep hole. The phrase "There is a way to be good again," Rahim Khan had said resonates within Amir because he has come to realize just what he had done after he grew up a little. The novel focuses in on Amir and observes his maturing and development only to prepare him for his ultimate redemption mission, his quest of a lifetime, a trip back to Afghanistan. Afghanistan itself acts as a symbol that can be applied to real world situations, our past. Amir has to go back to his past, or the place where it occurred to fix the deep wounds that stayed with him like a leech, constantly draining him of his peace of mind and not allowing him to live free, to run. What we do in our lives stays with us for the remainder of the time, but some things must be fixed in order to allow growth and development in terms of living, but also, when tied back into the novel, sometimes the things that need fixed are to liberate more than just ourselves. Amir begins the novel as a snot nosed brat that any reasonable person would want to strangle to death upon meeting him, but when he realizes his need for redemption and takes every step necessary to achieve it, no matter how hard, he not only brings redemption to himself, but also redeems himself in the eyes of an ideal reader. The search for redemption; one of the most applicable themes. Everyone at one point will need to seek out redemption, either big or small, but based on this novel, fictional or not, it speaks with actions and not just words. An "I'm sorry" will not always fix your life or redeem you, the actions and steps you take in order to earn the redemption is what matters in the end.